Note: This film was reviewed for the "1001 Movies You Must See" Club. Click here to read the reviews of other members.
Paul Thomas Anderson is perhaps the boldest filmmaker working today, and although Magnolia was one of the 1990's most overlooked films, it remains a stunning piece of cinema. It opens up with a five or six minute narration by Ricky Jay, as he explains three distinct incidents revolving around chance and coincidence. This is the framework of Anderson's film, and the results are mind-blowing. By the end, I'm not quite sure I was fully convinced this film actually had to be 188 minutes, but there are so many things in this film that occur without definitive reason that you have to be willing to sit through it. Not many people would read a plot summary about a group of intertwining stories and expect it to be a sprawling epic, but that is exactly what Magnolia is.
The second trailer for Christopher Nolan's Inception has debuted online. It is currently playing in theaters in front of Sherlock Holmes, but feel free to watch the embed version below, or check it out in HD over at Apple.
The film is set to be released on July 16, 2010. The stellar cast includes Leonardo DiCaprio, Ellen Page, Joseph Gordon-Levitt, Ken Watanabe, Marion Cotillard, Tom Hardy, Cillian Murphy, Tom Berenger, and Michael Caine. This is far and away my most anticipated film of 2010.
2. "Avatar" (My Review, Trailer, Rotten Tomatoes)
6. "Invictus" (Trailer, Rotten Tomatoes)
10. "The Messenger" (My Review, Trailer, Rotten Tomatoes)
17. "Star Trek" (Trailer, Rotten Tomatoes)
18. "The Road" (My Review, Trailer, Rotten Tomatoes)
19. "The Lovely Bones" (Trailer, Rotten Tomatoes)
Scott Cooper's Crazy Heart centers on the type of story we have all seen and heard countless times before, but it has one thing going for it that makes it a genuine film, and that is Jeff Bridges. One of the industry's most respected actors, Bridges has finally found a role that could land him his first ever Academy Award. His portrayal of Bad Blake is the reason to sit through this film, and if he does in fact win the Oscar, it will put a smile on my face. There have been few male performances this year that have carried a film from start to finish, and Bridges delivers what might be the best one of the bunch.
About a Boy is a curious little film, a comedy-drama with a sneaking desire to be better than your average heart-warmer, but at the same time, it never really shows a longing to truly challenge the audience. The film is directed by Chris and Paul Weitz, and was adapted from a best-selling novel by Nick Hornby. The first half of this thing is terrific. It is funny, even hysterical at times, and it introduces a couple of well-defined characters. Unfortunately, the third act threatens to diminish all of the charm of the first hour, and nearly does so.
There is absolutely no doubt that Austrian writer/director Michael Haneke is a skilled filmmaker. His films have, and will, always stir up controversy and discussion, and for good reason. The French thriller Caché is no exception. It's a deceptively simple film about grief, guilt, and fear. I will not deny the fact that the film kept me thoroughly captivated throughout, but the final product feels empty, rushed, and unjustified.
David Slade's Hard Candy is a psychological thriller of the first order. This is a film that takes a normally predictable issue in the movies, pedophilia, and tells it in a way I've never seen before. Slade and screenwriter Brian Nelson take a lot of risks with this film, and while some of the story development may not be as good as it could have been, the remarkable performances more than make up for it. It's one of the most uncomfortable films I can remember, but if you can stomach the content, this is a ride well worth taking.
I finally found some time to catch up with Nora Ephron's Julie & Julia, and I'm not quite sure it was worth it. I wouldn't say it's a terrible film, but there's hardly enough story for a two hour comedy, and the pacing is a major problem. The film also never seems to take itself very seriously, and as a result, I had trouble caring at all for any of the characters. The performances are fine enough, but the script lacks any depth whatsoever, and the dramatic moments had little to no impact.
I don't think I will write a full review on this film, but I will say that I would have trouble recommending it, even to cooking fans. Yes, the performances are fine, but Streep's turn is hardly worthy of an Oscar, and the script is so thin that you could step away from this film for five or ten minutes and not miss a single thing. It's kind of a shame that any performance with Streep's name on it nowadays is automatically considered for an Oscar. To even put this performance in the same conversation as Gabourey Sidibe's turn in Precious is pretty mind-boggling.
Richard Linklater's Me and Orson Welles is a very enjoyable film about love and ambition that rarely hits the wrong note. I am not familiar with some of Linklater's most highly-praised films such as Dazed and Confused, Before Sunrise, and Before Sunset, but after seeing this one, he is definitely a director I am going to be keeping my eye on. He commands his material just as much as his actors command their characters, and although it may be too tidy at times, the film is a gem.
John Hillcoat's The Road is a fascinating, complex tale that is certainly one of the best post-apocalyptic films I've seen. Along with Zack Snyder's Watchmen, Hillcoat's film is one of the toughest adaptations of the year. It is based upon a Cormac McCarthy novel, and it is obvious to the viewer that the novel must have been very light on dialogue. Although I haven't read the book, it seems that it was very successful, and in large part due to McCarthy's language. It is impossible for a film to succeed using the power of prose and language, so Hillcoat relies on his devastating atmosphere and haunting performances to carry the weight; and everything works.
The Chicago Film Critics Association has chosen their winners for 2009:
Best Picture
The Hurt Locker
Best Director
Kathryn Bigelow, The Hurt Locker
Best Actor
Jeremy Renner, The Hurt Locker
Best Actress
Carey Mulligan, An Education









